Action

Action


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Definition:

Class of creative works characterized by a greater emphasis on exciting action sequences than on character development or storytelling.


Purposes:

  • To experience accomplishment, attainment, triumph, or victory through the character’s actions
  • To induce excitement
  • To appeal to conscience
  • To understand the psychological forces behind the hero’s actions

Characteristics:

  • Typical forms: short story, narrative poem, novel, video, play (script), graphic novel
  • Subgenres: action drama, action comedy, action thriller, caper/heist, science fiction action, action horror
  • Dialogue, psychological tension, and sequence of action descriptions combine to make the scenes click
  • Sequencing that takes into account happenings before, what is taking place now and what could/should happen next
  • Every action brings about a subsequent opposite reaction
  • Contains section breaks to help pace scenes
  • Frequently contains a “physical male” in contrast to stereotyped female
  • Serious themes, character insight and/or emotional power
  • Violence as an agent of change or vehicle for expression
  • Elements of adventure (e.g., car chases, shootouts, explosions)
  • Elements of the thriller (e.g., plot twists, suspense, hero in jeopardy)
  • Often combines with other genres, such as mystery, horror, science-fiction, and romance

Themes:

  • Realization of destiny to achieve the common good
  • The individual can make a difference
  • Often “critiques” the status quo and/or use of violence

Characters:

  • Action heroes and their physical struggle
  • Isolation of the hero (e.g., unable to assimilate to the status quo)
  • Action protagonist reacts to express discontent with an unacceptable world
  • Realistic monologue/dialogue (or narration) that reveals the character’s thoughts
  • Realistic morals, motivations and responses that glorify the action hero through intensity of experience and out of the ordinary abilities (e.g., private investigator who rises above betrayals and conspiracies; the detective hero)
  • Villains
  • Victimized characters provide motivation for action and reasons to resist, be revenged or be rescued
  • Focus on psychological forces behind the major characters’ actions

Setting:

  • A “space” or “spaces” in which the action takes place (e.g., the city, the prairie, a combat zone)
  • Essential to the narrative, mood and revealing of character
  • Often serves as a metaphor for “the loner” (e.g., wilderness, Arctic Circle, desert)
  • May take place in a single location (e.g., building or vehicle under threat by enemies)
  • May have a science fiction setting
  • Any time period

Plot:

  • Fast-paced (real or fictionalized)
  • Progressive development understood through interrelated “episodes”
  • Physical/emotional struggle related to the hero’s internal condition of isolation
  • Progressive development through character’s engagement with events
  • Suspenseful climax (turning point)
  • Exciting (white knuckle) moments
  • A roller coaster ride of chills and excitement end, but not always happily
  • Often “critiques” acceptability of the status quo and characters’ use of aggression or violence

Author’s craft:

  • Developing the hook: asking questions, posing problems, economy and clarity of language, crystal clear imagery, establishing mood, using “one-liners” (e.g., This is what happened.)
  • Summarizing history/background
  • Stage or scene setups (sketching settings, introducing characters, an event in progress)
  • Developing “complications”
  • Building tension and suspense
  • Characterization of the hero through the plot
  • Developing the climax and “turning point”
  • Logical resolution
  • Developing psychological tension (e.g., the way the characters feel and think, their emotions of panic, surprise, satisfaction or dismay, and their responses to sights, sounds and smells)
  • Believably describing mechanics of movement
  • Interconnections (“threading” the episode)
  • Technical detail (researching strategies)
  • Action verbs in opening sentences
  • Purposeful dialogue that integrates into the action scene with natural flow
  • Terse, lean sentences introducing new twists or turns

Grade Level Instructional Scope for COMPREHENDING the Genre and Text of Action:

Grade 6

Opportunities to Teach:

  • Purpose
  • “The Hook”
  • Setting/place: essential to the story
  • Use of believable description (the mechanics of action)
  • Plot and genre structures
  • Author’s voice
  • Truths, themes, and principles
  • Terse, lean sentences introducing new twists or turns
  • Realism/high emotion/internal dialogue or monologue revealing character’s response
  • Evaluation of internal consistency of character’s traits
  • Use of purposeful dialogue
  • Appropriate use of foreshadowing and/or flashback
  • Use of vivid verbs and modifiers
  • When to slow down and elaborate
  • When to pick up the pace to move on
  • Plot: events, actions, clues to character traits through fast-paced action
  • Resolution of cumulative episodes, motive, effective ending
  • Summarize, connect, conclude, infer, synthesize
  • Visualization strategies

Booklists:


Access to the Documents:

Complete K-8 Genre Project
From the Michigan Department of Education

Complete K-8 Genre Booklist
From Kent Intermediate School District



Page last modified on February 09, 2009, at 12:51 PM